Seeing as how I'm basically a seasonal blogger myself at this point, I'm thrilled to have Stewart Dutfield continue to update his yearly diary on a quarterly basis. ICYMI, you can read his 2017 year in review and his 2018 Q1 musings. This current iteration may be my favorite so far. It isn't all running-related, but then again, neither is life.
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6 April. To have spent four hours at the National African American Museum with a 13-year-old boy is to look forward to returning for a whole day, to take things in more slowly. In single file down a narrow ramp, we walked several storeys beneath ground, and then slowly up through the historical exhibit—from before slavery (and, it was suggested, even before racism) to Obama and Oprah—to emerge at the foot of a heavy spiral staircase. Bounded by tall black walls, it continues the journey upward, but we have arrived here understanding that historical progress is neither unambiguous nor even consistently forward.
Clayton led us to the sports exhibits: Owens, Robinson, Gibson, Ali, Jordan. Most moving to me was the bronze statue of Tommie Smith, John Carlos, and Peter Norman (who afterwards was just as shabbily treated as the others) on the medal podium at the 1968 Olympics. Harry Edwards, very much part of events leading up to Smith and Carlos's protest, appears in short videos on aspects of black sports: reminding us, for example, that racial integration of major league baseball destroyed black-owned businesses in the negro leagues. While taking a photograph of the monumental staircase from above, I was tapped on the shoulder and quietly told that photographs should only be taken from below. With mild shame and indignation I struggled to grasp what seemed an arbitrary and unstated rule, but left feeling that perhaps this was exactly the point.
Descending Castle Point on a run through Mohonk and Minnewaska
28 April. In Carmel NY is a statue of Sybil Ludington; the story goes that in 1777 she rode 40 miles overnight from here to rouse militia in defense of Danbury against the British. Two centuries later, a 50K road race roughly followed Ludington's presumed route and has taken place every year since. This year the event was no longer based in the basement of the VFW—where the business portion of the men's urinal still bears an image of Jane Fonda—and followed a new loop course never approaching within a mile or so of the statue. As usual, new leaves gave little shade on the pretty, undulating country roads. Some well-established metropolitan area road runners showed up, a few still going in their 50s, 60s and 70s. With luck, though having departed from its roots in the dubious history of Sybil Ludington's ride, the 50K will continue as a no-frills footrace for old-school athletes.
6 May. Live audacity at the Egg in Albany where Brandi Carlile sang "Babe I'm Going to Leave You", a tour de force for a young, fresh-faced Led Zeppelin who had transformed the song from a Joan Baez recording of the early 1960s.
Refreshment at Kaaterskill Falls on a run from Olana to North Lake
2 June. The Piccadilly Line from Heathrow brought me to Boston Manor, where I embarked on a gentle walk through West London history; first along the Grand Union canal to the mouth of the River Brent, where Julius Caesar may or may not have crossed the Thames in 54BC. Tom took me to a plaque to commemorate where Pocahontas had lived; then through the fields of Syon Park—little changed for 200 years—to lunch at the London Apprentice, which was here when J.M.W. Turner lived in Isleworth and might have been his local. Then over the lovely Victorian painted iron of Richmond lock and back to Kew, where an afternoon cricket match was in progress. We had spent our afternoon amidst Turner's picture of Syon House and Kew Palace, swans and all.
The Thames at Isleworth
Loch Lomond, the low road. Photo credit: Joe Brown
9 June. It was dark as the bus descended the steep valley past Frank Lloyd Wright's Fallingwater to deposit us beside the falls at Ohiopyle, PA. From here we would run the Laurel Highlands trail northeast to Johnstown, which in past months has crawled with journalists trying to understand the 2016 presidential election results. For my part, in nearby Ebensburg the previous evening I had visited a new microbrewery with the slogan "Our beer is always coaled" (fortunately, it wasn't). The trail is marked by 71 mileposts, and follows a ridge where we were a couple of weeks too late for the peak of the mountain laurel. "Highway Patrolman" playing in my head, I started comfortably but, as the humidity undermined my appetite for eating and drinking, gradually slowed over the later more runnable part of the trail and finished, once more in the dark, less than an hour before the clock ran out.
Joe on the Highland Boundary fault, descending Conic Hill. Photo credit: Fiona Rennie
23 June. Just behind Tesco's in Milngavie, a footpath sign indicates that Glasgow is 6¼ miles away. The nearby terminus for the commuter railway is also the start of the West Highland Way: 95 miles in the opposite direction, along the shores of Loch Lomond and through the West Highlands. After a moment of silence for the great Don Ritchie, runners set off at 1am through the town centre toward Fort William. Daylight roused me at 3am from sleeping in the van, in time to support Joe at 19 miles with coffee and a bacon roll. Stella later joined me as Joe's crew. Approaching Glencoe over the Black Mount, Joe began to struggle with the increasingly rough, granite underfoot conditions. He and I covered the last 25 miles together overnight, and ran not a step. As the race director had predicted, there was no weather this year by Scottish standards: conditions proved largely dry and fresh, keeping the midges at bay except where Stella slept in the van at Kinlochleven. After a grim night on the granite paths, Joe finished at 5am and took his turn to sleep in the van as we drove to our B&B.
Crews provide all food and drink to West Highland Way runners. Photo credit: Stella Potter
26 June. I took Joe to the Scottish National Gallery to see the large painting of Niagara Falls, which was my introduction to Frederic Church long before I first visited the Hudson Valley. Among the Titians and Poussins hangs a large, jarring new work by Jenny Saville; in El Greco colors of grey, red and blue, it depicts and bewails child casualties in Aleppo in our own time—on our watch, so to speak. See it if you can.
